Showing posts with label memories. Show all posts
Showing posts with label memories. Show all posts

Sunday, April 28, 2013

SECRET GIFTS from the SANCTUM SANCTORUM


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In keeping with the thru-line for this month’s blog posts, of showcasing gifts (either from me to you, or from others to me) this entry will reveal secret presents that I (sorta) helped deliver to everyone who reads many of Marvel’s mystical comics over the past decade or so.
Now, bear in mind, none of these are anything more than minor, humble offerings. Still, while being hardly worth mentioning, I needed something in the vein of “gifts” for the blog post, so here we are.

Every now and again, I have – either via intentional communication, or others’ “referencing” of my images – influenced stories and artwork from a few writers & artists at mighty Marvel. Then, those influential tidbits would be presented therein the creator’s work and thus would I be a silent gifter (a “Secret Sanctum” as it were… get it?... “Secret Santa : Secret Sanctum”?... uh… nevermind…) to comics readers.

While this has happened on more occasions (that I am either omitting intentionally, have forgotten or am unaware) I shall reveal three such instances – each with their own level of success.

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The first such incident occurred back in late-2005 or early-2006, when after purchasing unpublished comic scripts (in particular issues of “What If?” which feature Doctor Strange, of course) from famed author Steve Englehart, we had several more email correspondences, wherein he was revealing his then-next work for Marvel; ‘STRANGE WESTERNS; starring the BLACK RIDER’ one-shot which was part of Marvel’s then-resurgence attempt for their western characters.




Mr. Englehart was telling me of how since the tale dealt with the “before he was Ancient” Ancient One, teaming up with the Black Rider (and subsequently other era-appropriate heroes) that he wanted to form them into an ersatz 1800’s-era team of Avengers.

I pointed out, that if the Ancient One were to be a part of it, it would make more sense that he take the “Doctor Strange” role and have an 1800’s era team of DEFENDERS.
That idea struck him as a much better angle to pursue, and if the one-shot were picked up for further publication options (mini-series’, long-term series’, and/or specials, etc…) that my angle would be the way he would like to proceed.



Sadly, while good, the Black Rider never got past that oneshot (a fate shared with the other western heroes of that ‘Marvel Westerns’ attempt), and so, my mental fruit died on the vine


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The next occasion that I shall share met with far more success.

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I truly have NO idea how I began corresponding with author/artist/designer David Sexton back in late-2006 or early-2007. Perhaps an exchange on a message board that led to further email exchanges? Suffice it to say that somehow, we did.

In those conversations, Mr. Sexton told of his large-scale project for Marvel which was a one-shot and mini-series called ‘Marvel Tarot’, and how it was to also feature a newly designed tarot consisting of Marvel’s mystic heroes.



The basic premise being that Ian McNee (last seen in a back-up tale in ‘Marvel Fanfare’ # 6) would have a tarot deck that would portray all these various Marvel mystics.
I suggested that why not just have him use such a deck that already existed? Doctor Strange had just such an enchanted deck which he used to choose “Secret Defenders” in the title of the same name.



Mr. Sexton thought that was a fabulous idea and a wonderful stroke of serendipity, and thus he proceeded with that concept for the final publications.

However, he probably didn’t know that Marvel has a “sliding timeline” (that all the events from Fantastic Four # 1 until “now” occurred in a 10 to 12 year span of time – vs – the actual years of publication) and had Ian McNee state, in comic, that he had that deck of cards in his possession for 10 YEARS – which is how long it had been since ‘Secret Defenders’ was published. Now, of course, it’s a minor quibble, and one that maybe no one but me noticed, but it caused the nerd-centric portion of my brain (read: 99.999%) to stop dead.

It took me some time to get over “epic fail” of my not being sure to detail that aspect of how things work, but at the time:

  1. I was fairly sure everyone knew about the “sliding timeline”.(More about it [HERE])
  2. Even if he didn’t know, an “editor” would catch it.
  3. I was not wanting to be a pest or seem like a fanboy, and so kept my correspondence to a minimum.


Still, it was a cool idea, which kept a piece of valuable mystical eclectica in the canonical zeitgeist – for a short while, at least.

Sadly, while ‘Marvel Tarot’ was a success in every aspect of its rejuvenation of the various magical properties that Marvel has in its catalogue, somehow it, and all its tantalizing teases of projects and storylines to come, was quickly forgotten.


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But then there are times when you can influence someone’s work without having any idea that you are doing so.

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This next, and most recent incident occurred without my awareness – until I opened the pages of the comic in question.

If you were to do an internet search for images of Doctor Strange’s Sanctum Window, you’d most likely come across any number of my own uploaded images at or near the top (as I’ve uploaded several for this very blog, either any of my assorted illustrations of same, my avatar which I use for “gravatar” and other message board ID, or even the tiny favicon that is used and visible next to the URL for the blog). Now, look at the top of the side-column in my blog, you’ll see an old pic of a leather bound book with the “Window sigil” emblazoned on it, sitting on a table next to a skull, crystal orb, an ornate “Eye of Agamotto” and some custom-made jewelry; including a ring and a medallion with the same window sigil on them. 



The sigil is how I’ve drawn it for decades. (In fact that photo was taken in the mid 1990’s and the book itself was crafted in the late 1980’s.) As far as I can recall, no one has drawn it quite exactly that way, although obviously there have been very similar variations – as each artist has his or her own version. I, too, have other variations that I use – depending on the usage – but for a stand-alone graphic image, that’s the way I’ve tended to roll.

Well, imagine my shock and surprise when I opened up both ‘Deadpool’ “NOW” # 2 & 3 and see my drawing of the window in the comic. Well, not MY drawing, but artist Tony Moore’s reproduction of it as a shadow on the bookcase behind Doctor Strange.


There are two viable deductions for how he came to use my own rendition:

  1. He did an internet search for Doctor Strange's Sanctum Sanctorum Window and saw one of my pics.
  2. Co-Writer, Brian Posehn offered a visual reference taken from action figure customizer, "Sillof"' with whom Posehn’s friend/fellow comedian and geek emeritus Patton Oswalt hepped him to, since Oswalt is a fan of the customizer’s work. Sillof’s own customized diorama of the Sanctum Sanctorum also used my own design (I think he had asked me if it was ok to do so – I know I get requests like that from time to time, and don’t recall if his was one of the “official” uses or not), and so if the pics of Sillof’s custom Sanctum were offered to Posehn, who then in turn passed them to Deadpool artist Tony Moore, then that’s how it may have ended up being the design of choice. *Whew!*


But, for any naysayers, I will –through the magic of internet animation – show you that the two designs line up perfectly.



And there ya go… you’re welcome.
LoL


OK, fine… as I said at the onset, neither of these are giant event-changing ideas, like giving Wolverine bone claws and naming him after the bullying father of his childhood friend (ohhhh…. The whole thing makes my head hurt) – or that Professor X had a secret third team of X-Men that he sacrificed trying to save the original team before he would then recruit yet another (ugh… who thought of THAT?)…uh… or that Iron Man would have ALWAYS been Kang’s traitorous mind-thrall who’d then die off and his teen-age self would come to the present to take over the role (WTF?!?)… or that the young-boy Stephen Strange would be tormented by demons sent to him by a jealous Baron Mordo, since the Ancient One had said that the boy was destined to be “the chosen one” (GAH!!!)… or that WONG would be a pupil of the Ancient One too and be the one to call upon the Vishanti while Strange was a bumbling idiot (AARGH!!!)… y’know what?
MY little contributions are BETTER than those because, while tiny and innocuous, they helped BUILD upon the stories and didn’t destroy, derail or degrade the properties.

You’re welcome.

(Now, if anyone has any interest, I’ve long had a great idea how Man-Thing can give birth to his human self and raise the now-infant Ted Sallis in the Nexus, which would then lead to… 
*Seriously, see it [HERE])


Saturday, August 28, 2010

Long Live The KING

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Today is the birthday of comics legend (heck, ART and STORYTELLING legend);

JACK "KING" KIRBY!

Kirby either created, co-created or drew nearly every comic character / property that existed at Marvel and DC to the point of his passing in 1994.

Oddly enough, while he DID draw Doctor Strange in a few issues and spots here and there...


Fantastic Four # 27


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Journey Into Mystery # 108


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...and the occasional cover blurb for Strange Tales...


I particularly like his very heroic and traditionally ruggedly drawn rendition of Doc for the cover of Strange Tales 126.
 Seeing the Dark Dimension decked out with almost art-deco buildings blows my mind.
And Doc's little orange ankle boots just WORK for me.


...and also designing the little corner box drawing of Doc that would appear on many covers (wherein as he would often do, draw Doc's cloak as more of a poncho or robe so his hands could emerge from within the deep folds)...

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...while also tossing Doc into a few other group shot images here and there (one odd entry being an old 1966 issue of Esquire magazine when the publication ran a story on college kids reading Marvel comics)...

(I have the issue and while I did steal borrow these scans from the web, I'll post about this issue in time - with nice full-size images.)

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...I think the only time he drew Doc on a full cover was...

Strange Tales # 130


I absolutely LOVE old comic covers that have that mottled coloring style.
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Strange Tales # 130 was also distinctive as it was the very FIRST time that Doctor Strange got the full cover! (and with a Beatles reference as well! Awesome)!

The Doc portion of the cover reprinted for Strange Tales # 183


Sadly, Kirby never drew Man-Thing that I can recall.
How freaky-cool would THAT have been!
And a Kirby-drawn ROM: Spaceknight would have been the absolute BEST thing to happen in the history of EVER... but alas, that did not happen.

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I met Jack Kirby at a convention when I was a comic artist - this would have been 1991 I believe.
He was walking the con with his wife Roz, and as I spied him approaching my table in the 'artist's alley' I flustered a bit as to what to do to show this man my appreciation for all that he had done.
I quickly grabbed a hand-colored copy of a drawing of Captain America that I had done, and vaulted over my table to go and meet this iconic industry giant.

I tried to gently shake his hand, but his wife, Roz said he was under strict orders by his doctor, not to do so. Understanding this, I then gave him the illustration of the comic character that HE had created - and bestowed upon the world - as a gesture of my thanks and admiration.
I embarrassingly asked for an autograph, but his wife explained that he was under strict orders to rest his hands and that if I gave my name and info, he would mail one to me at a later date.
I happily did so, saying that autograph or no, this was indeed an honor that I would never forget.

Well, I never did receive the signature, and within a few years he was gone*.

I was working at a comic shoppe / antiquarian bookstore as Creative Director (and Sales Associate) when I heard the news of his passing.
Needless to say the entire mood of the store changed.
It shifted from fans bickering about whose favorite character could beat whom and what comics were out that day to a 'brotherhood' sharing tales and remembrances of the best and most favorite Kirby works.

That was the power of Jack Kirby's work.
He could unite the multitudes of discordant thoughts, views and arguments into a shared vision of what was GOOD about this hobby / industry / lifestyle.

The King is dead, but his works live on.
Long live the King!

 * I should footnote this partial anecdote with this link to a fantastic telling of how, 20 years after this meeting, the "ghost" of Jack Kirby "appeared" on my TV, and showed me that he did, in fact, keep and showcase my art gift. The piece has been seen in several documentaries of his life, Stan Lee's life, and the history of Marvel.

That tale, the artwork, and video/film proof, can be found HERE.


"Tamam Shud!"
~P~

Saturday, October 31, 2009

DOCTOR STRANGE HALLOWEEN-COSTUMES
SPECIAL-EDITION! 2009

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Welcome to a
SPECIAL EDITION
of the
SANCTUM SANCTORUM COMIX BLOG!
- HALLOWEEN - 2009!

This post is to hopefully make good on a promise that I had made in LAST YEAR's Halloween post [HERE] wherein, after I showcased all of the Ben Cooper Dr. Strange Halloween costumes (y'know... those "plastic smock and mask" types that everyone knew from childhood?), I said that I'd post pics of my very OWN homemade Doctor Strange costumes (one of which was featured as a winner in an old WIZARD Magazine Costume Contest).

I pulled a "trick" on you last year and wasn't able to pull the pics together in time.

To make amends, I have scanned in not only the page from the old issue of Wizard (showing me in full mystic raiment), but also pulled together the photos that I sent in to the contest, waaaay back in 1997!

Yes. That's right. These photos of me are over 10 years old.
I look even MORE like Doc NOW, because the grey hairs are REAL.

This is the page from the "All Dressed Up With No Place To Go - 6th Annual Wizard Costume Contest" . Issue # 75

"Peter Knight" is only but one of the many pseudonyms that I used in my lines of work back then.
That was the nom-de-plume that I used for my comic book work, so I thought it appropriate to use for the contest.

For their privacy, I have blacked out all the other names that appeared on the page alongside my own.

Back then, Wizard was prone to having one "pants" joke per issue. I won the dubious honor of having the joke tagged to "my" word-balloon.

Still, they sent me a huge sack of signed comics and other goodies swag, so who's to complain?

Here are the covers for that issue.


Lady Death by Hughes - and - JLA by Alex Ross

The strange thing is, from that tiny, blurry photo, some people were able to recognize and remember me, so that months later, I'd get the occasional "Hey. I saw you in Wizard!"

The best/worst such instance, was just after I had married and moved from Long Island to upstate NY (near the original Woodstock site), I walked into a comic book shoppe in Middletown, NY and some hot goth chick recognized me and said; "Hey! You're the guy from the Wizard contest! Doctor Strange!"

Who knew I could get the attention of hot goth chicks that way?
At any time before my betrothal, I would have been inclined to chat up the goth girl.
But, I was by then married a month or two, so all I said was; "Yeah. That was me".
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So now, for your approval (and derisive laughter), I shall showcase those [0]1997 photos here on my blog.

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This classic costume, I had made with an old friend of mine, even further back - in 1987!
Yes. The costume was already 10 years old by the time that these pics were taken.
Truthfully, however, I do make a new tunic/shirt every few years.
The one in these pics is the 3rd tunic since the costume was first made.

I'd worn this garb to several costume contests and had always won some prize while wearing it.
These photos, sadly, do not do it justice.

Casting a spell

Contemplating the mysteries of the Crystal orb

Summoning forth images of other realms from the orb

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Now, well over 20 years since it's creation, with many moves and packing and re-packing, the costume could use a little refurbishing.
That is why I hadn't taken NEW pics of myself in the costume.
(I sent it to be patched up by Enitharmon the Weaver, but can't pick it up because I lost the claim check ticket.)

Still, that wasn't the only costume that I have.
This variation (remember this one that Doc wore at the end of his "Sorcerer Supreme" series?) was made during that time-frame. I believe it was in late 1995.

The Crystal Orb and the Book of the Vishanti!

A skull from the Crypts of Kaa-U

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In a future post, I'll give you an up-close look at my home-made EYE of AGAMOTTO!
I would have included it in this post, but it truly deserves it own individual post.
*UPDATE*
It took over 3 years to get to it, but that promised up-close look at the Eye has finally been made a reality! Check it out [HERE]!
*END UPDATE*

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That's all for this year. Consider this my "telecommuting" of my "trick-or-treating", and you can send my goodies via electronic message in the comments section!

And to all of you "Hoary Hosts" out there tonight...



HAPPY HALLOWEEN!!!

Friday, April 24, 2009

A visit to the Dimension of Dreams
- or -
I may need to seek counseling for this.


If "blogging about blogging is a sin" then "blogging about other bloggers is circle-of-hell worthy".
Factor in that the event which I am about to relate occurred in a dream, and we're on our way to a scenario of Virgil-guided proportions.

Yes. That's right. I've been thinking of the blog so much lately that I'm not only dreaming of my content, but also the other bloggers with whom I may share some common interest.

Trust me. I'm just as disturbed by that as you are.

I'll throw the basics of the dream here for amusement's sake, and perhaps to save on therapist fees.

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I was supposedly meeting with Mike Sterling for some sort of comic's related reason.
Probably just a gathering to shoot the shit about comics (discussions of a more physical variety than the two virtual "conversations" I had posted here quite recently - seen [HERE] and [HERE]) .

It seems that we were meeting on Sterling's west coast turf, as it was more rural-suburbia than my old New York City (or Long Island) environs and less rural-"out-in-the-woods" of my own more recent PA habitat; the view out his dreamscape house's back door - beyond the neighbor's expansive yard, with their tan and gold long-haired setter pacing by the chain-link fence - showed mountainous regions on the horizon.

Mikester was expecting an additional party member to show up as well, someone we'd both never met, so while he was otherwise occupied getting refreshments (or something) he thought it would be funny if I answered the door, pretending to be him.

However, since neither of us had met the expected individual, not only would he not know that I wasn't Mike Sterling, but I wouldn't know if he was the guest Mike was expecting!

So, when I answered to the door and saw someone standing there, and I'm trying to figure out who he is... my own charade was being exposed as well.

However, it was (supposedly) Neilalien at the door, and he (- as would anyone who has read Mike Sterling's Progressive Ruin long enough, and as such has seen a photo of his face-) knew that it wasn't Mikester answering the door, but somehow, instinctively - with eyes narrowed and a sidelong glance cast my way, as he took to the few steps on the front porch to enter the house - surmised my identity.

Now, as for Neilalien, I have yet to have the pleasure of meeting personally, and have no idea what he looks like, and so my mind gave him the appearance of a late 20-something to early 30's white guy, standing about 5 foot 9 inches tall, approximately 140 lbs with sandy brown hair, cut short and sorta spikey (but not too much so, nor styled as such via gel or any such "product". Just not long enough to lie down upon itself).
(I know... where the hell did my mind pull ANY of that from?!?
For all I know he's grey with giant eyes and spindly arms with a penchant for probes, but my mind gave him those aforementioned features. Just roll with it.)

What I hadn't known was, there were to be many others in attendance that day; I can only gather who were all fellow bloggers, commenters and comic's aficionados alike.

By that point, my sleeping mind just assigned random faceless features to the others.
Sometimes they'd have features and faces, other times not.
I had the feeling that they were supposed to be the many bloggers whose works I read on a consistent basis (see the blogroll on my sidebar for many of them), but no names were readily given.

All I know is by this point in the "party" I had sat back and took the position of "observer" and just watched the happenings. I'm not as "bona fide" a blogger as many of they may be, and I know that I felt as if I should stand back and defer to the experienced voices in the room - perhaps to learn a thing or two.
Someone had produced forth a portfolio collection of published comic pages, someone else a stack of comics from a backpack, and still another, hands waving furiously, described his treatise on the various subjects of his interest.

By the time that I was being addressed and asked to step forth, the sense of unreality had set in.
I'm well attuned with my subconscious enough to know that when an anomaly presents itself in the "reality" of the dream that my sleeping self recognizes it as such, and then, knowing full well that I am dreaming, does one of three things:

  • Ignores it and just rolls with it (a rarity for me - I'd have to be REALLY tired to do so - which I was. I was utterly wiped out last night - or else the whole Neilalien thing would have been enough to raise the mental alarm right then and there).

  • Changes and replays the events in numerous ways to seek the most satisfying course of events. (My very own "choose-your-own-adventures" book, so to speak.)

  • Signals me to wake up.

This time around, I awoke - fully knowing what I had dremt, but slowly losing some of the specifics (except what I related here) as my dream self dissipated after it departed the dream dimension.

So, what's the point of all this?
I have NO idea.

It was just an interesting thing to share with you all.

I've been fully aware that I've strayed away from what I should be blogging about lately, my content as of late has been of a more personal nature (recollections of past histories, as well as some future content I'm gathering; based on comic artwork that I drew, long ago in the dim past of my pre-to-early teenage years, as well as some stuff from the past decade or so - ALL Dr. Strange-related imagery, of course) and as such my mind connected the blog, the content (if you note, all the things that were being discussed and shown in the dream-party are things that I'm working on for the blog) and the "audience" all in one.

I need to take a deep breath and continue writing my multi-part treatise on "the Search for, Nature and History of the Sorcerer Supreme". However, I know that it's exactly because I haven't finished that series that my mind has been plagued by thoughts of the blog - reaching even into my slumber.

This must have been the interweb equivalent of dreaming of standing naked in front of your class if you hadn't finished writing that report on world history, or something.

However, I promise - I will not share any naked dreams here.
I mean, I wouldn't want to give anyone else nightmares.



By the way, Mike Sterling and Neilalien
both produce excellent blogs that I visit daily - as should you!

Wednesday, April 22, 2009

Son of Origins!
An Origins Sequel.
(or addendum if you will)

There was another formative experience that would utterly hook me into the world of comic books.
One aside from (although, sort of at the same time - or a little later than) the "origin" tale that I related in my most recent entry; the Special 125th Edition post, entitled;


For you see... (and this is offered forth through the foggy haze of poor memory of 30+ years or so gone by)... even before I was wading into the world of actual comic BOOKS, I was already an aficionado of those four-color comics found in the the newspaper (aka; the "FUNNIES").

However, aside from the usual gag strips I would soon become a huge fan of two in particular;

The Star Wars strip, which was based on the "first" film; A New Hope (and then adapting the various paperback spin-off's of the "Han Solo Adventures" that were hot on the shelves) to keep the kiddie's hooked, long before the sequel(s) could start running...

- and, even before that -

The Amazing Spider-Man strip.
Written by Stan Lee and drawn by John Romita Sr.



THIS was my real - true first experience with "collecting" comic books (of a sort).
I had known of Spider-Man himself from the 1960's animated TV cartoons, the live action television show starring Nicholas Hammond - (which I seem to be alone in my professed love of that show) and Spidey's stint on the Electric Company educational, tv kiddie-show.

However, while the various television shows would fade to black after their credits rolled, the newspaper strip was mine to keep - collect and re-read as many times as I'd like.

I had a shoe box filled with clipped-out comic strips; the dailies and color Sunday editions of the Star Wars and Spider-Man comics.

For many years I kept them, archiving them in various manners over time, always being amazed by their quality.

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Now, for the most part, the Star Wars strip only interested me because I had actually read and enjoyed the Han Solo books (Han Solo at Star's End, Han Solo's Revenge and Han Solo and the Lost Legacy, as well as the other early adaptations, like Splinter of the Mind's Eye).



I was never much of a Star Wars fan otherwise.

But the fact that I was familiar with those books, the comic was an excellent continuation of the enjoyment that I felt from the actual paperbacks, and so... I read, clipped and collected them.

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The Spider-Man strip was something entirely different.

I was really pretty hooked on that strip.
The artwork was so crisp and perfect. I had never seen it's like.
Having never seen Ditko's Spidey at that time, I thought that surely John Romita Sr. was the ONLY guy qualified for the job.

I can only remember a few scant details of them today; the introduction of the PROWLER and the headers.

Especially the one with Spider-Man lifting the bus!
That image has been burned into my mind and will be with me all the days of my life as "THE" most awesome Spider-Man pose. It really gave him some "oomph"!

Check it out!


There were other images that would rotate in placement atop the strip, acting as header, but the bus one was tops for me.


Although, I did (and do) like the quiet, studious and mysterious nature of the "mixing web-fluid" vignette.



The only thing that seemed "wrong" to me, was that for a guy named "Spider-Man", Romita drew him as very muscular and bold. I'm sure I didn't think it consciously, because Romita's Spider-Man was truly perfect to my young mind.
I especially liked how uniform and dimensional he made the webbing on the costume, especially on the arms and boots.


Sometime shortly afterwards, I would be out grocery shopping with my mother and she would purchase "ALL" laundry detergent, and there on a promotional blurb was Spider-Man!

I had to have it.

The promo came with 3 "magic" marker pens and a comic book (although, I don't recall if the comic was somehow attached to the product or if it was a mail-away offer).

But when I received that comic (a reprinting of an early issue featuring Spidey and the Human Torch vs the Beetle - with some cool bonus material) I saw that it was drawn by someone entirely different than John Romita.
Some guy named Steve Ditko.

I wasn't sure WHAT to make of it, really... except... that I fell in love with the fluidity of his Spider-Man.

Romita's rendition was physically PERFECT, and heroic looking (as well as having Peter Parker being quite the handsome young man, and the women were very attractive).
However, Ditko's characters MOVED!
They looked flawed physically and facially... a little too weird for my young self (especially the bug-eyed Betty Brandt and other female love interests) but Spider-Man and the Torch (and even the boxy Beetle) were FLUID!

(And, when, a few years later, I would discover some of the history and back-issues of Doctor Strange, the name of Steve Ditko was one that was immediately recognized by me and he brought that same fluidity and sense of motion and urgency to the mystic master as well.)

So, I was now able to appreciate more than just Romita's style as "the" Spider-Man artist.

However, those newspaper strips would stay with me as my foundation for the print character to this very day.

So, when I read that an omnibus of sorts for the newspaper strip was being offered, I was excited!

Here's the solicit text:

SPIDER-MAN NEWSPAPER STRIPS HC
Written by STAN LEE
Penciled by JOHN ROMITA
Cover by JOHN ROMITA
ALL THE STRIPS THAT ARE FIT TO PRINT!
And since we’re talking about strips written by Stan “The Man” Lee and drawn by “Jazzy” John Romita…that means ALL of ’em! Reprinting all of Stan and John’s Spider-Man newspaper strips in chronological order, Spider-Man Newspaper Strips brings you the earliest classic panels that hit the daily and Sunday papers of the late 1970s! All the daily strips are printed in the original black and white, and all the Sundays in their original color, featuring remastered linework in a deluxe hardcover format that will spin a web of enchantment upon anyone who reads them! Collecting Stan Lee/John Romita's Spider-Man daily strips and Sunday pages, originally published from 1977-1980
352 PGS./Rated A …$39.99
ISBN: 978-0-7851-3793-1
Trim size: oversized


It brings a smile to my face to think that soon I'll plunk down the cash for it (since I had long since lost my clippings) and reminisce about a better, simpler time, and a more perfect Spider-Man!


Saturday, April 18, 2009

Sorcerers, Spacemen & Swamp Beasts; "Oh, My!"
- or -
Dorkwin; The Origin of the Geeksies.

To paraphrase a famous blogger - who once wisely stated words to similar effect...
"Why you no post, Ptor?"

Well, I've been meaning to, but the lack of available time (or, at least enough "consecutive, pre-midnight non-bleary-eyed time", as I tend to call it) kept me from being able to be lucid enough, long enough to get this in the can.

There were a few opportunities to present some odds and ends, but I opted not to because this is a my 125th post, and I didn't want to "waste" it on something trivial.

And so... I waited until I had the time to do (right) something that was (hopefully) worthy of the "big number" (especially since I MISSED my 100th post).

Thus, I say...
Welcome back, dear friends and readers, to this, my
SPECIAL 125th POST!!!
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As a change of pace around here, I thought I'd toss up a slightly "interactive" activity, of sorts on ye olde blog. Something to help get everyone a little closer and inspire some activity in the comments section.

Now, even on this blog's slowest days, I easily get well over 100 "unique" hits per day (much more than that on occasion), so I expect to get at least a few replies to this, OK?

We're going to walk back down the primrose path of our halcyon "golden" years... when we first discovered comics... and offer up some memories thereof.

In this way, we can share our origins in this hobby / interest / obsession we call "comics"...if you don't mind sharing memories of your "formative years".

I will, of course, proffer my personal anecdotes as well.
It's only fair.


When did you, my friends and readers:

1)
- Start reading (or discover) comics?
  • a) Do you recall any of the circumstances around that "fateful day / event / time of life"?
  • b) Why and/or how you got the issue(s) in question?
  • c) What your first comics WAS? (If you can recall the specific issue(s).)
2) - When did you first read DOCTOR STRANGE (or- alternatively, if you are here because of your love of one of the OTHER "6-Dimensions" characters, then... THEM)?
  • a) Was the title &/or character on it's own or as a team-up / cross-over / continued story from another title?
  • b) Did you like the title &/or character at first or did it grow on you later?

That's all for this go-round.
I think that should be enough to spark some discussion, don't you?

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Now, for proper etiquette (netiquette?) I'll share my formative story with you all...
I'll go into some crazy in-depth detail for the benefit of the blog... (but don't feel you have to make your answers as long as mine. Just whatever you feel like sharing).

*************
To answer the
# 1) a), b), c)
portion of my questions;


I first started reading comics in the mid 1970's - at around 10 years of age. As near as I can recall, I started tentatively in 1976-77. Maybe there were a few scattered issues as far back as 1975, but by 1978 I was in full-swing.
I'm sure my first few comics were random, individual issues. Nothing specific. These arbitrary issues were most likely brought home for me by my father, who worked in the Postal system.
Maybe they were subscription issues that lost their mailing sleeve, or perhaps they were brought in by a co-worker. I can't say. With the exception of X-Men # 71 (which must have been a co-worker offering, since it's from 1971) , Marvel Super Action # 1 and Marvel Triple Action # 16 (which I absolutely love(d) and had definitely fueled my interest in the Avengers), I don't recall many of those random issues. At least, not consciously.



My parents knew of my love of all manners of reading material, and while my mom would almost exclusively give me books to read, my dad used to have comics when he was a kid (supposedly very early issues of War-era Captain America and other War Comics - all of which were tossed out by his mother when he joined the Army), so some comics probably seemed as innocent reading fodder.

My own foray into buying comics came via the odd's-n-ends from the multi-packs that were sold in 5-and-dime stores at the time.

They were a great value, 3 (to 5 - depending on the type of multi-pack) fairly recent comics (anywhere from 4 months to a year old) in a sealed baggie, for a bit less than cover price of the originals added up.

There were a few instances, I recall, sneaking out to the Roosevelt Field Mall - which was verboten as a solo trek - and buying the multi-packs at the Woolworth's 5-and-dime.

Some of the first issues I obtained were:

Defenders # 63 (part 2 of the 3-issue "Defenders for a Day" story)
A glorious clusterfuck of an issue! It intrigued me, to be sure, but by itself, it was unfathomable since I had no idea who many of these masses of costumed lunatics were!
Problem was, with no comic stores anywhere around, and this issue already a few months old, I would have to wait - easily a decade or so - until I would be able to read the entire arc.
(To think this was my first Defenders issue and NO DOCTOR STRANGE to be found in it! I was so close... but wouldn't meet the Doctor named Strange for a little while yet.)

.
Iron Man # 115
This was my first introduction to Iron Man (with the possible exception of the Marvel 1960's "animated" cartoons - and the "cool exec with the heart of steel"), and while I seem to remember wondering what would happen next issue, it didn't really "click" with me, and I promptly forgot about it. Madame Masque and the Ani-Men seemed interesting though.


Marvel Two-in-One # 44 (Thing & Hercules)
Good lord, I loved this issue. I just re-read it a few moments ago (ah, nostalgia) and it's a fun romp! Basically, Ben Grimm retelling a "tall tale" of sorts to a bunch of delinquent kids at "Camp Run-A-Muck". It got it's hooks in me as a lad (especially that cover), and provided a few good grins for the adult me, as well.
(Sadly, I missed the Man-Thing appearance of the issue before.)


.
Marvel Team-Up # 58 (Spider-Man & Ghost Rider.)
The cover is memorable enough. The story? Don't remember anything about it. But I'm pretty sure it got me interested in Ghost Rider! Just not enough to spend the money on G.R. back-issues, when I eventually did wade into the collector's mindset.


These...among many others were my first recollected memories of my earliest comics.
Every so often I'll be rummaging through the longboxes (or searching online for something) and come across an issue that I had as a kid and the cover would burst forth straight through my cerebellum, demolishing it's way through 30 years of temporal distance, grabbing hold of my brain-box to bring me right back to the late 1970's.
I'm sure there are other great issues that I should be including in this brief run-down, but sadly, I can't place them off-hand.

While there WERE some DC's in there, (issues of WEIRD WAR TALES and HAUNTED TANK,) the only DC comic that I remember was
SUPERMAN FAMILY # 193.
While I honestly have no idea where that issue came from, I'll share my half-remembered thoughts on the issue here.
If you wish to skip that, just jump to the next set of "---" dash-bars

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The lead-in Superboy story could not have left me more disinterested if it tried, with some half-assed villain with the traditional DC-trope of "oversized-props-used-as-weapons" shtick, but the Supergirl story, with appearances by "The Human Cannonball" (and his goofy-looking afro-like cannonball helmet) was a bit more to my tastes.
A mad villain, strange anti-gravity craziness in a foreign locale (London), a bit of a "mystery" (something simple but trivia that has stuck with me to this very day; ie; the villain claims that the answer is found in Big Ben, but no one can gain access to the famous clock tower. Until Supergirl (iirc) recalls that the moniker of "Big Ben" is the name of the BELL not the clock or the tower - heh. It's strange, the stupid stuff that one remembers, hmm?)... all good stuff.
There was also a last panel appearance by the DOOM PATROL and I found myself very eager to learn more about that group. They seemed so much the opposite of the simple, straightforward Super-family. Sadly, with no comic stores anywhere nearby, and no idea how to get more of these weird comic-things, I never got another issue of Superman Family. As soon as I read the issue to literal pieces, I gave up on that title and my love of the Doom Patrol would have to wait for about a decade until the Grant Morrison incarnation would earn my monthly funds.

The only other part of the issue that I found interesting was a middle-segment of a story arc dealing with those heroes of the bottled city of Kandor; Nightwing and Flamebird.
While still fairly whitebread, their tale had an edge, with the two characters locked in mortal combat with each other over some act of imagined betrayal.
The only way to stop the fight was for the one who still regained his senses to feign death, hoping that the shock would free the mind of the maddened teammate.

I recall my interest being piqued by their segment.
Sadly, I've never seen or read another Nightwing and Flamebird story since then.


-------------

Usually, after my trek to the land of bulk bagged comics, I'd walk over to a row of shoppes and warehouses (on the nearby "Voice Road") and while waiting for my sister to get off work, I'd sit on the loading bay of the Paper & Plastics store where she worked at that time, and read the day's haul. This would definitely be by 1978... still about a year before I'd find my local stationery store would start carrying new issues. Closer to home and with a selection I could actively peruse.

All of those multi-bagged comics got me pretty hooked, but the one that really pulled me in was
Uncanny X-Men # 116.

That one got me to actually start hunting down and collecting the back-issues.

And even more importantly, it's the comic that started me CREATING my own comics and characters.
I recall being drawn to Cyclops and Nightcrawler the most, and in my first created comic-team (which I called "X-FACTOR" , obviously many loooooong years before Marvel did so) I had analogues to those two X-men, plus a few of my own totally original characters.

What's truly odd, is that issue was brought home to me by my mother (and younger brother), who while out shopping, received this comic from a new store (probably Heroes World) that was giving away free issues as a promotional gimmick.

Strange, thinking back at it now, since my folks (especially my mother) soon would hate my growing love of the medium, to the point where I would have to sneak my comics hauls into the house under ridiculous effort and wily means.
However, it was really THEY who first introduced me to them.
Irony at it's finest.

The only saving grace, as far as my parents were concerned, was that I had little or no resources to acquire many more of these vile things, apart from the small selection of pre-bagged multi-packs.
That was manageable enough.
And even I wouldn't buy a multi-pack if the contents were nothing that interested me.
Of course, the trick was to somehow try to see what the middle comic was, that was sandwiched between the outer, visible two.
Usually, these were lame comics, but luckily for me, I loved the lame ones even more!
But, even under the best of conditions, it was damned near impossible to discern what that comic was, and so, if at least one of the visible comics wasn't of interest, I'd usually walk home empty handed.

Occasionally, I'd stumble upon a hidden cache of comics and treasury editions in some forgotten back-section of a 5-and-dime or corner mini-convenience stand.
That's how I found Marvel Triple Action # 33, and
Marvel Special Edition: Close Encounters of the Third Kind
movie adaptation!



Still, my mania over this medium would grow, fueled, in part, by a small group of friends who had also been bitten by the comic-bug.
Every month or so, one of their mother's would take us in a car-load to one of the growing number of comic specialty shoppes that were cropping up in the neighboring towns. Shoppes, the likes of which named as; "The Bat-Cave", "Mike's Comic Hut" and "Creation" were my stepping stones to a much larger world of accessibility.

Another resource opened up when we found that the local permanent flea-market had several vendors who specialized entirely in comics!
Ye Gods! This was a twice-a-week venue within walking distance!
So, we'd frequently hop the 10 foot tall chain-link fence (because to pay the dollar or two entrance fee would mean less money for comics!) and serpentine, dashing our way through the cars and vendors spaces to avoid the security patrols and make our way to the glorious longboxes within.
(On some occasions, some or all of us would be nabbed - either going in or out of the market, and be forced to cough up the entrance fee, but most times, we'd make it unmolested.)

Sadly, I never really had a lot of extra cash to buy expensive back issues- although, they weren't too high priced, looking back now. A mint copy of Spider-Man # 1 was less than $300 at the time. Giant Size X-Men # 1 was about $60.
But still, that was seen as a lot of money for a single comic book.
My friends all had allowances or some other resource for money to spend on their comics, while I only had what I could scrounge up - or earn from a pennysaver paper delivery route.

So, my friends were buying near-mint copies of their faves;
(John D's fix was Spider-Man, Mike G's flame was stoked by Ghost Rider, Rosario V's attentions were always toward what was the most popular and/or strongest; so Uncanny X-Men & Thor were his choices), while I ended up dredging the 25cent bins.

This turned out to be a good thing, as I was a fan of the off-beat, the strange, the mystical and monstrous (and... most crucially, the INEXPENSIVE), so I would soon fall for the original run of the Macabre MAN-THING!

Those early Mike Ploog illustrated issues still bring me mentally right back to the dank and dusty quarter bins of old.
Truthfully, while I would have loved to have been able to buy shiny bagged comics from the wall behind the register, the discount bins were home to many overlooked and underestimated titles.

Man-Thing was just the one that I would grow to love the most.
My only true regret at the time was that there were only back-issues of Man-Thing to collect. He was no longer being published.

Although, that was soon to change.

*********************

Now, to address the

# 2) a), b)
section of the show;

As I stated in the first part of this post; I discovered comics in the mid to late 1970's, started really COLLECTING them by 1978 and 1979.
By 1980, I would soon be a regular buyer and reader of MAN-THING & ROM (among others).

After re-reading my 25cent bin collection of original Man-Thing issues a multitude of times, I walked into the local stationery store (where I had discovered a few months earlier had started to carry new comics), I was looking through the spinner rack, with it's ubiquitous "Hey, Kids! COMICS!" header, and saw something that would set my eyes alight!

MAN-THING volume 2 # 2!

I was soon able to score the first issue from my friend John D., whom I seem to recall thinking that it was a bit heavy handed in the writing. Truthfully, he was right, but it's such a sappy tale that it always gets me to choke up a little.


Among the many new titles that were hitting the stands was something that would grip my shit pretty hard; ROM; SPACEKNIGHT!

My first issue of ROM (as I related in my previous post on the ROM "doll" - [HERE]) was issue # 3,
but I quickly scored issue # 1.

(# 2 was nearly impossible to find and took me more than several months to locate.)

Here's where DOCTOR STRANGE comes into the scheme of things;

As you know, ROM # 5 had that Doctor Strange cameo appearance (which I touched upon in an old post [HERE]).
That MIGHT have been my first real introduction to DOC.
I thought that was very cool, and was interested in finding out more about this mysterious, mystical character.



Then, one month later, in issue # 4 of MAN-THING, Doc had a cross-over from his mag, so that I had to buy the issue before (# 40) and issue after (#41) to follow the story.


The intensity of the issues and the epic battle between these mystical forces was all I could hope for in a comic.

Needless to say...that's all it took.
I was hooked on Strange!

So, I began to buy then-recent back-issues as well as the new ones as they came out, which was perfect timing on my part, because the cover artist for the next few issues was
Michael Golden,
who completely altered how I would perceive comic art!



Soon enough, I was hunting down back-issues, and built up a good collection.


My friend John D. presented me with Doctor Strange # 169, explaining to me that it was actually a # 1 for Doctor Strange (which at the time I had a hard time understanding - not that I cared much, because never before or since had I seen such a perfectly awesome comic book cover!) and things just kept escalating from there.



Shortly thereafter I got the 1980 calendar ("used" - since by then, it was closer to 1981) - which I used as a "map" of sorts to help find appearances - as I related in the post in which I featured the 1980 calendar in toto [HERE].

With the aid of that, and the editorial boxes, I was slowly able to piece together much of DOC's appearances, and I never looked back.

---------

I had, on one occasion in the mid-1980s (1983, 1984, perhaps), given up on comics "cold turkey", and sold off nearly all of my collection.
However, as with all things done "cold turkey", the cravings would come back and eventually, I would succumb to them - even more determined to amass a complete and all-encompassing collection
, to the point where NOW I have almost certainly nearly every single appearance of Dr. Strange ever put to print.

(Not to mention my growing love and fascination with the medium as a whole, and the many titles, by numerous publishers, large and small, that would spark my interest... and eventually, however, fall by the wayside, either by their own demise, or my ever focused view on the worlds of Doctor Strange and the so-called "6-Dimensions" characters.)

By the mid 1980's I started getting into the swag and collectibles.
However, It wasn't until the late 80's - mid 90's that I started REALLY losing my mind.

But, that is a subject for a future post.

---------

So, that's my origin tale.
What's yours?

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Most comic cover images from Grand Comic Book Database.
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